Watercolour Resist Card with Black Outline and Glazed Wash

Un proyecto de nuestro programa en vivo CREATE TOGETHER CLUB - Programa 3 - Acompaña a Toni - Transmitido el 30 de marzo 22 · 03/30/2022 · velo desde 7:45

Create a stunning tone-on-tone abstracted card using heat-embossed silver detail, watercolour washes, and layered black ink outlines. The technique uses water to create soft, flowing colour gradients that blend beautifully around an embossed floral stamp design.

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CREATE TOGETHER CLUB- Chapter One - 030921a fblVERLO 100133 - HTCN - IZINK PAQUETE DE ALMOHADILLAS DE TINTA PIGMENTADA GRANDES - TROPICAL - 201121aVERLO

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Paso a paso

1. Place watercolour card into your stamping block and hold it firmly in place. ▶ watch 8:00
2. Stamp the floral bouquet image in a corner, pressing down to capture all the detail. ▶ watch 8:15
3. Use an anti-static bag to remove any dust or fingerprints from the stamped image. ▶ watch 8:30
4. Apply silver heat embossing powder over the wet stamp and heat set with your heat gun until it sparkles. ▶ watch 8:45
5. Mix black watercolour pigment to a very dark consistency on your palette. ▶ watch 12:30
6. Carefully outline the embossed image with the dark black pigment using a brush, working in segments. ▶ watch 12:45
7. Spray the card with water from a spray bottle and hold it at an angle to let the black colour flow downwards. ▶ watch 13:30
8. Continue adding more black pigment to intensify the design, then spray again with water to create the wash effect. ▶ watch 14:00
9. Allow the first layer to dry completely, then repeat the process with less water for a second glaze layer to add depth. ▶ watch 16:45
10. Add blue watercolour into the flower areas and green into the leaf areas, layering darker shades while still wet. ▶ watch 20:00
11. Add white splats across the card using white confetti or splatter medium to tie the design together. ▶ watch 27:30
12. Allow the card to air dry completely before handling or heat setting. ▶ watch 28:15

Consejos del programa

• Use watercolour card so you can keep moving the colour around and blending it.
• The embossed silver acts as a resist, so if colour gets on it, just dab it away with a tissue.
• Don't overthink the process—see your card through to the very end before deciding if you like it, as watercolour cards often look rough at first.

Más de este programa

• Two-Tone Split Panel Card with Grayscale and Watercolour Pencil Detail

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